The Pier at the End of Times

Here is a good tip for you when it comes to sunsets. It also works if you have something in the center worthy of attention, which is commonly the case with sunsets.

When you use a wide-angle lens, like this 14-24, you will automagically get a feeling that everything is pointed to the middle. That is obvious, but you can "help the cause" and make the effect more pronounced by doing the following. If the there are repeating elements of roughly the same size (in this case: 1- slats of a dock and 2- blobs of clouds), then those elements will create leading lines to the horizon as they get logarithmically smaller towards the infinity point. In a sense, the slats only do part of the job, but the clouds do the rest of the job. Then, this allows you to have leading lines that take people in and out and back around the work.

So, one thing to look for when shooting with the wide angle lens is multiple objects of roughly the same shape. After that, you can try to set up so they repeat ever smaller towards the horizon.

This particular photo was taken in Ibiza one evening, just after the sun dipped into the Mediterranean.

- Trey Ratcliff

Click here to read the rest of this post at the Stuck in Customs blog.

The Pier at the End of Times

Here is a good tip for you when it comes to sunsets. It also works if you have something in the center worthy of attention, which is commonly the case with sunsets.

When you use a wide-angle lens, like this 14-24, you will automagically get a feeling that everything is pointed to the middle. That is obvious, but you can "help the cause" and make the effect more pronounced by doing the following. If the there are repeating elements of roughly the same size (in this case: 1- slats of a dock and 2- blobs of clouds), then those elements will create leading lines to the horizon as they get logarithmically smaller towards the infinity point. In a sense, the slats only do part of the job, but the clouds do the rest of the job. Then, this allows you to have leading lines that take people in and out and back around the work.

So, one thing to look for when shooting with the wide angle lens is multiple objects of roughly the same shape. After that, you can try to set up so they repeat ever smaller towards the horizon.

This particular photo was taken in Ibiza one evening, just after the sun dipped into the Mediterranean.

- Trey Ratcliff

Click here to read the rest of this post at the Stuck in Customs blog.