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The Pier in Santa MonicaAfter we finished shooting down on the beach, we moved the photowalking party up to the pier. There was just an edge of light left when I took this photo.The dock is in two parts. The first part has the amusement park and the second part extends further out into the sea. Sometimes docks aren’t so great for night shots because they are shaky and move with the waves. But this one was pretty solid — I suppose because of the rides and whatnot that also need to be stable. Anyway, it was more than steady enough for the very long exposures need for the shot.- Trey RatcliffClick here to read this post at the Stuck in Customs blog.
Deep inside the Haunted Engine Room Right after the LA PhotoWalk, I decided to do something that may or may not have been illegal. There is a haunted ship docked off the coast of Long Beach that has been partially converted to a hotel – the Queen Mary. There is a little tour that takes you around haunted bits here and there. Tom and I left the tour to start exploring on our own…. we found all sorts of amazing and creepy, abandoned places… this is one of them.- Trey RatcliffClick here to read the rest of this post at the Stuck in Customs blog.
The Russian Sub There is a longer story around this photo that I caught on video... I'll wait for that to be released!But, as you can see, I clearly got onto a Russian sub in the middle of the night. It was docked right next to the Queen Mary in Long Beach. As I was walking across its iron surface and hearing the empty echoes below, I could not imagine the sub making it all the way from Russia to this harbor. That was a long, dark, cramped ride...- Trey RatcliffClick here to read the rest of the post at the Stuck in Customs blog.
Los Angeles from Runyon Canyon I spent most of the day at Tom’s house in the Hollywood hills doing interviews. Getting interviewed all day is kind of a draining thing, in a way. The day was dreadfully cloudy, but around 5 PM, I started to think the sky would be interesting at sunset and into the night. So we wrapped up everything quickly then headed up to the top of Runyon Canyon to see the city from above.I used the 28-300mm lens here in portrait mode and zoomed in all the way to the 300mm setting.- Trey RatcliffClick here to read the rest of this post at the Stuck in Customs blog.
The Power Lunch Here is a wonderful photo mystery. Can anyone name this spot? Where could it be? I hope this is the hardest photo mystery yet. Whenever I put up one of these, the clever people in the community get it almost right away. But perhaps this one is a bit different.If no one can figure it out, it will be revealed in an upcoming story tomorrow... Actually, tomorrow is the first of a long-form three-part story. ...something a bit different for you!- Trey RatcliffClick here to read the rest of this post at the Stuck in Customs blog.
One Plane Alone at the End of the Night Here we are at Santa Monica Airport deep in the night. It was quiet. And peaceful. I spend a massive amount of time at airports. I'm usually totally alone, and, most of the time, this is perfectly all right. I've developed an ever-changing internal dialog that keeps me mentally stimulated at all times. I'm glad no one can read my thoughts... surely they would find the cacophonous chorus to be the height of lunacy. And then, when things finally bubble over, well, it is nice to have a kindred spirit around.- Trey RatcliffClick here to read the rest of this post at the Stuck in Customs blog.

The Pier in Santa Monica


After we finished shooting down on the beach, we moved the photowalking party up to the pier. There was just an edge of light left when I took this photo.

The dock is in two parts. The first part has the amusement park and the second part extends further out into the sea. Sometimes docks aren’t so great for night shots because they are shaky and move with the waves. But this one was pretty solid — I suppose because of the rides and whatnot that also need to be stable. Anyway, it was more than steady enough for the very long exposures need for the shot.

- Trey Ratcliff

Click here to read this post at the Stuck in Customs blog.
Click here to read this post at the Stuck in Customs blog." href="javascript:openLB(1752764001,'',XLarge,'',1024,556);">The Pier in Santa MonicaAfter we finished shooting down on the beach, we moved the photowalking party up to the pier. There was just an edge of light left when I took this photo.The dock is in two parts. The first part has the amusement park and the second part extends further out into the sea. Sometimes docks aren’t so great for night shots because they are shaky and move with the waves. But this one was pretty solid — I suppose because of the rides and whatnot that also need to be stable. Anyway, it was more than steady enough for the very long exposures need for the shot.- Trey RatcliffClick here to read this post at the Stuck in Customs blog.

The Pier in Santa Monica


After we finished shooting down on the beach, we moved the photowalking party up to the pier. There was just an edge of light left when I took this photo.

The dock is in two parts. The first part has the amusement park and the second part extends further out into the sea. Sometimes docks aren’t so great for night shots because they are shaky and move with the waves. But this one was pretty solid — I suppose because of the rides and whatnot that also need to be stable. Anyway, it was more than steady enough for the very long exposures need for the shot.

- Trey Ratcliff

Click here to read this post at the Stuck in Customs blog.
See photo in original gallery.
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